"Babygirl" presents an intriguing premise, featuring a high-powered CEO engaging in a controversial sub-dom romance with her younger intern.
However, the film struggles to deliver a cohesive and engaging narrative, as the power dynamics between the characters are ambiguously portrayed. The story is barely there and the intern is poorly developed, making it difficult to invest in the story. Instead of a deep exploration of their relationship, viewers are left with two confused individuals navigating a sub-dom dynamic that feels awkward, uncomfortable and at times, surprisingly dull.
It could have also explored psychological and societal aspects more effectively. However, instead, we were presented with a superficial story that resulted in awkward yet tame sexual interactions that failed to provide any meaningful insight.
On a positive note, the musical score stands out, enhancing the atmosphere with its primal quality while maintaining the characters’ aloofness, and the cinematography is well-executed. The performances are fantastic, showcasing the actors' talents, but they are overshadowed by a narrative that lacks depth.
Overall, "Babygirl" disappoints by merely skimming the surface of its thematic potential, ultimately leaving audiences with an underwhelming experience that could have been much more compelling.