Better Man, 2024 - ★★★★½

Do not confuse fame with love. Fame will not hold you at night; it only pulls you into the spotlight, parading you around until you forget the feeling of a restful night. The warmth of the spotlight can never replace the warmth of someone's embrace. Better Man is one of the best biographical musical films I have ever watched. I love Rocketman, but Better Man is equally impressive, if not more so in some aspects.

Continue reading →

The Red Envelope, 2025 - ★★★½

The Red Envelope is an adaptation of a Taiwanese film, Marry My Dead Body, into a Thai movie. While I am not sure of the specific differences between the two versions, I find this adaptation humorous and filled with heartfelt moments. The storyline, though deserving of more depth and nuance, successfully delivers delightful comedy. Its charm primarily lies in the chemistry between the actors. The natural rapport between the leads, who have collaborated for over a decade, is undeniable.

Continue reading →

My Own Oscar Awards 2025 (Movies from 2024)

Once again, welcome to my personal analysis of my favorite movies which I like to call My Own Oscar Award. After watching most of the nominations and beyond, I couldn’t help but compare these films to each other. My personal picks focused not on the names, prestige, or past work of the filmmakers, but rather on the impact these films had on me in each category. Each category features nominations that truly sparked something within me.

Continue reading →

Friend Zone, 2019 - ★★★½

Watched on Thursday February 14, 2019.

Continue reading →

Suck Seed, 2011 - ★★★★

Watched on Thursday March 17, 2011.

Continue reading →

Snow White, 2025 - ★★★

For a story about inner beauty, this movie seems to have only shallow visuals to show off. I’m sorry if I offended anyone. I have never watched the original version of Snow White, but isn't the story just plain bad? And aren't all the characters just dumb? The premise seems fundamentally flawed, raising questions about how this story gained enough popularity to warrant a remake in the first place. The musical numbers are enjoyable, and I like the performances.

Continue reading →

Ne Zha 2, 2025 - ★★★★½

Ne Zha 2 will undoubtedly be one of the best animated films of the year, and it will be fascinating to see how it fares in terms of visual awards, as I don't believe anything released this year could surpass this masterpiece. This movie stands as one of the most ambitious projects, achieving something exceptionally spectacular with its meticulous visuals. It's undoubtedly a film that demands to be experienced on the big screen.

Continue reading →

Novocaine, 2025 - ★★★½

Novocaine is a movie with a fascinating concept for comedy. It's an action comedy where the protagonist goes through terrible, gruesome scenes, but he doesn't feel any pain. So while all these horrible things happen to his body, he remains unfazed, yet we, the audience, internally scream for him. It's an intriguing concept—how much would you feel pain for someone who can't feel it themselves? Being an action comedy with a touch of romance, it plays to these genres and uses body horror for comedic effect.

Continue reading →

Mickey 17, 2025 - ★★★★

I love the Bong Joon ho's decision to have fun following his major success with this story. He clearly wanted to see Robert Pattinson showcase his unhinged acting abilities, and who could blame him? I mean, is there any role this actor cannot play? Who would have predicted that a performer from Twilight would evolve into one of the best and most versatile actors of our generation? I anticipated another outstanding performance from Pattinson, and I was not disappointed.

Continue reading →

The Commission 00010-The Zuiker Chronicles Branding

The logo of The Zuiker Chronicles Anton Zuiker approached me for a commission, after a referral from Pratik, my former client (Thanks for the shout-out!). He provided a comprehensive brief with references, which I greatly appreciated. The Brief The brief was straightforward: he wanted a logo for his personal website that would also serve as his personal branding. He requested a website header image incorporating both a wordmark and an icon mark, as well as brand guidelines for colors and typography to make it a complete branding package.

Continue reading →

The 2025 #Oscars had me nodding in agreement with most of the winners, but then they chose “El Mal” for Best Song and “Anora” for Best Picture. Did they momentarily forget the names of more deserving nominees?

Before #Oscars2025 announcement, I invite you to read My Own Oscar Award for last year, where I discussed my favorite #movies. My picks were quite different from the official ones, and I believe this year’s choices will be even more distinct.

A Complete Unknown, 2024 - ★★★★

"A Complete Unknown" is about a journey for authenticity and artistic expression, highlighting the struggle of forging one's own identity. It explores the balance between staying true to oneself and conforming to external expectations. Growth is something personal, and it's challenging to make others understand the changes within you. And not everyone will understand why you must change at all. This is even more true in music industry, where resistance to change is so baffling common.

Continue reading →

I'm Still Here, 2024 - ★★★★½

I love this movie. The story is so powerful, for its message and its narrative. I believe it's best to enter this movie without any prior knowledge. Allow the characters and the narrative to guide you, enabling you to experience their confusion and pain more vividly. You just need to know that this is one of the great movies based on real event. — "I'm Still Here" can be interpreted in two ways: as a plea, begging someone to notice you, and simultaneously, as a declaration, taking a stance and holding your ground.

Continue reading →

The Girl with the Needle, 2024 - ★★★★

I had no idea what the movie was about; I didn’t even read the synopsis. However, nothing could prepare me for the horror in this film. The fact that it is inspired by real events sent chills down my spine. The film explores how societal pressures and economic hardship can alienate individuals, compelling them to take extreme measures for survival. This desperation drives people to make questionable choices and seek harmful relationships, all in an effort to survive and experience even a glimpse of warmth to keep going.

Continue reading →

Nickel Boys, 2024 - ★★★★

I was eager to love this film. Its innovative use of a first-person point of view in the cinematography intrigued me. The story also seemed to provoke many conversations and emotions, depicting the shared bond between two boys in an inhumane reform school. However, the movie disappointed me in its execution. After watching the movie, I understand the need for a first-person point of view in the narrative; however, it did not work as well as I had hoped.

Continue reading →

Conclave, 2024 - ★★★★½

In times of change, we are gifted with the perfect opportunity to reflect on our faith and the course of our lives. The quote from Conclave, “Faith is a living thing,” prompted me to contemplate the nature of faith. If faith truly is a living thing, it requires our nurturing, for its potential for growth is limitless. However, like any living thing, it is also vulnerable to decline and can ultimately perish.

Continue reading →

Nosferatu, 2024 - ★★★★½

Nosferatu is a remarkable film, an adaptation based on Dracula, crafted by true masters of filmmaking. The directing, cinematography, sound, music, editing, and performances all come together to create something truly extraordinary. Particularly, the cinematography stands out. The clever use of shadow and darkness gives the impression that the darkness itself is moving through each scene and set. You can literally feel the darkness creeping in with every scene, creating this constant tension that pulls you deeper into the story.

Continue reading →

Legends of the Condor Heroes: The Gallants, 2025 - ★★★½

The movie, *Legends of the Condor Heroes: The Gallants* (known as *มังกรหยก* in Thai), is a story that has been told countless times, with numerous remakes over the years. Despite this, this version stands out for its stunning visuals. The team clearly knows how to create impressive scenes and action sequences. The use of colors, visual effects, and cinematography is outstanding, making for a spectacular experience. However, while the movie excels in visuals, it heavily relies on prior knowledge of the story, making it difficult for newcomers or even casual fans to follow.

Continue reading →

The Substance, 2024 - ★★★★

The Substance is a wild ride and so over the top—like, how could you ever forget this movie, especially those last 30 minutes? It’s one of the most bizarre and grotesque experiences on screen. I love the style of this film; it has a unique taste in terms of cinematography, musical score, and all the technicalities involved. The movie excels at making you feel uncomfortable in your own skin and paints a vivid picture of the grotesque experience of society norms.

Continue reading →